Monday, February 25, 2013

Is It True Love?


We have been reading Hamlet for a while now, and the same question keeps being asked; does Hamlet truly love Ophelia, or was he just using her for her body or to help him appear crazy. I believe that he truly did love Ophelia, and although many things have appeared in their relationship, he still cares for her and she still cares for him.

During the famous nunnery scene with Hamlet and Ophelia, Hamlet exclaims “I did love you once” (3.1.125). Although this is can be taken very literal, there is also an underlying sign that Hamlet shows. He was hurt when Ophelia told him about the remembrances. If the reader takes the play and thinks that Hamlet knows what’s going on, then he understands that Ophelia is plotting against him. He knows that she is blatantly lying in front of his face. This is why many people believe that Hamlet no longer loves Ophelia, but this just shows how deeply in love he was and still is. He was so disappointed and angry when he found out that his love was plotting against him; if he didn’t love her, he wouldn’t have been so angry and so upset.

Another way that someone brought up in class is that Hamlet tells Ophelia “Get thee to a/ nunnery” (3.1.148-149), he is trying to protect her. He understands that Polonius and Claudius are watching behind closed doors, and he might be trying to warn Ophelia of the dangers that are surrounding her. If she gets to a nunnery, she can be safe from the physical aspects of living in this palace. She wouldn’t have to deal with the labors such as her father and Claudius plotting. Hamlet might also be protecting her from men in general. He knows the dangers that men can put on woman, both he and her father are examples of this, and he wants to protect her from the hardships that surround her. Getting her to a nunnery would protect her, and this is an obvious showing of how much he cares for her.

Many people believe that Hamlet no longer loves Ophelia because of the way he treated her before the play that was being presented. He accused her of the same things that her father did earlier; being a prostitute, and selling her body to an assortment of men. But this can be interpreted as his hurt. When his true love stopped all connection to him and then appeared before him lying and deceiving, anyone would be affected. Although it is not polite or decent, few people handle this situation valiantly. Hamlet is an example of this, and once he has cooled down I suspect that apologies will be made on both sides and all reason will persevere.

Monday, February 11, 2013

Who's the Damsel?


Jackson Pearce came to talk to all the literature classes about the different examples of archetypes and how they fit into all of the basic storylines that we know. The archetype that caught my attention was that of the damsel in distress. Pearce made it very clear though that the damsel in distress did not have to be completely incapable or dependent on other characters; just at certain parts throughout the work of literature that they are in, they need help from those surrounding them. At some point, I believe that every character within every work is a damsel that needs the help of others to help them in their time of need.

In the Hunger Games, this was very evident. The stereotypical damsel in distress archetype would be placed on Prim in the beginning though. She is a frail, young girl that needs the help of others to survive even in the beginning of the book. When it is stated that she is supposed to go fight in the Hunger Games, Katniss has to step in and take her place. Prim is the ultimate character that needed saving, but she is not the only character within this novel that is the damsel in distress.

 Katniss can also be considered a damsel in distress as well. Although this would not be the first archetype that readers would place her under, she still has qualities of a damsel in distress. She needs the help of Peeta to survive and finish first in the Hunger Games, and after to support her in the rebellion following. Katniss has her moments of weakness, and although she puts on this act of being a tough individual that is self- reliant, she needs that “warrior” or “protective” figure to stand by her and fight for her in her time of need.

Peeta can also be considered a damsel at times. He was Katniss’ protector and guardian for much of the novel’s series, but in the last book, when his memory is taken away, the roles are reversed. He needs Katniss to remind him of the person that he used to be. He needs her to remain close and act like the figure that he was to her. Peeta is also the softer of the two boys fighting for Katniss, which also makes it easier to place him under this category.

There are always a few characters though that have little to no connection to the damsel in distress archetype. Gale is one of those characters. He is the “warrior” figure and although his attitude about fighting and running away and war have changed since the beginning of the book, his archetype has not. He still wants to fight for those people that he loves and he wants to fight for something bigger than himself. Characters like Gale are needed to oppose the damsel image.

 Archetypes are always found within characters, but some may not be as apparent as others. The juxtaposition between the warrior and damsel in distress must always counteract each other in order for there to be balance in the novel.

Monday, February 4, 2013

Amazing


A Thousand Splendid Suns was an amazing book that everyone should read at some time in their lives. I just finished it and I was shocked it took me so long to read, because I had a hard time putting it down. Although it wasn’t the most action packed book out on the shelves of Barnes and Noble, it was one of the most interesting books that I have ever read.

Warning, I am about to spoil a very important moment in the book! My favorite part of the entire book was how there was always a twist when I was least expecting it. Tariq was dead and Laila was mourning his lose and also how Aziza would never know her true father. I, along with Laila, trusted the “honest” man that came to tell the terrible news, and I have to admit, I was furious when I learned about his death. But then when the times seemed too rough for Laila to handle, Tariq showed back up. These twists always came during the bleakest moments and inspired new hope within the characters.

The connection that was made between the characters was so realistic as well. Khaled Hosseini really personified them well and made me feel that same emotions for different characters that they themselves were feeling. I felt the hatred that Miriam and Laila must have felt toward Rasheed every time that he beat them or spoke condescendingly to them. I felt the sadness that haunted Laila when she had to give Aziza to the orphanage and leave her behind every single day. I felt the tormented struggle to determine the emotions about Zalmai; was he a good child or was he going to turn into the same exact being as his father. All of these aspects of the story really kept me wanting to read more and more.

Another aspect that I liked was that it was realistic. Not everything ended happily ever after, making the connections and the plot seem even more real. Not everyone makes it into the peace time after the long fought wars, and this is shown through Mariam's sacrifice to Laila, Tariq, and the children. She made a decision (which she hadn’t done in decades) and saved all of them and gave them a better life.

The entire book just leaves me wanting to read more and learn how everything turns out; which is weird because I have never truly felt that way about a book that wasn’t drowning in action. I liked that the story didn’t need all of the bells and whistles, it just had the simple facts and the story and that is what I believe made it a truly fantastic book. Like I said everyone should have the opportunity to read this book at some point in their life to see a different aspect on a war that we have been fighting for years.